When I am reading a story or watching a movie or television episode, I often seek out something that I’ve come to term the “wild card” character. This is someone, either whose allegiance to good or bad is too ambivalent to ascertain or whose presence in the story is such that they may unwittingly determine its outcome, good or evil they may be. Here are some examples:
--In Ernest Hemingway’s celebrated war novel
For Whom the Bell Tolls, guerrilla warrior Pablo continually vacillates between bravely supporting the Republican cause and abandoning it. His actions are ultimately crucial to the story’s outcome.
--In the
Harry Potter series, Hogwarts instructor Severus Snape is a menacing figure who seems to carry a strong grudge against Harry and his father. Time and time again, Snape’s actions cast him in a suspicious light, but he ends up being vindicated. But will this continue through the series? To whom does this mysterious character truly owe his allegiances?
--Can you guess who the wild card character is in Tolkien’s
Lord of the Rings? That shouldn’t be so hard: it’s Gollum, aka Smeagol (
thanks for the spelling correction, Barry), the pathetic creature whose obsession for the Ring draws him into an unstable relationship of simultaneous conflict and servitude with Frodo and Sam. And as the wizard Gandalf suspected, Gollum does play a very, very important role in the story.
--In the
Matrix series, Agent Smith, originally the head “bad guy” enforcing Matrix rule, is the personification of evil. There is no vacillating on this character’s part about whether or not to do the “right” thing. But his unique circumstances place him in the crucial position to be the unwitting catalyst that resolves the conflict between the two antagonistic forces in this series. And as much makes him the series’ wild card character.
--In the movie
A Beautiful Mind, protagonist and brilliant mathematician John Nash meets up with a clandestine U.S. government agent named William Parcher. What Parcher says and does determines the direction Nash’s life eventually goes in. The “kick” to this story is the actual nature of Parcher.
--In the quintessential spaghetti western
The Good, The Bad, and The Ugly, the “man with no name” played by Clint Eastwood is dubbed “The Good”. But he is by no means “good”, as demonstrated by his callous disregard for life and his horrible betrayal of his colleague Tuco (“The Ugly”, played by Eli Wallach). But he also displays a sense of decency and compassion for people at other times. The very ending of this movie literally teeters on the true moral nature of Eastwood’s character (and the truth of his aim as well).
--In
A Christmas Story, Ralph’s father is the wild card. Alternately comical and menacing this character is, Ralph nevertheless needs him to fulfill his ultimate Christmas wish. And dad doesn’t weigh in on the matter until the very end.
--The
Star Wars series has perhaps the most obvious wild card of all: Darth Vader, aka Anakin Skywalker. In
The Return of the Jedi, Vader’s vacillation between Luke and the Sith lord is almost comical.
--Arthur C. Clarke ultimately wrote four novels for his
Space Odyssey series:
2001, 2010, 2061, and
3001. Only the first two were made into movies. For those two movies, the wild card character was the computer Hal on the Jupiter mission. Not so apparent from the first movie
2001, the ending of
2010 completely hinges on Hal and “his” “allegiances”.
--In
The Prisoner series, the wild card is the seemingly insignificant, diminutive, and silent butler, played by Angelo Muscat. Always there to assist Number Two (the protagonist’s chief nemesis) at “city hall”, the final episode places him in a crucial situation that reveals his loyalties.
--Another all-too-obvious wild card character is the alien Q in
Star Trek: the Next Generation. Time and time again, Q puts Enterprise Captain Picard and his crew in life-or-death peril and then releases them, teaching Picard important lessons in the process. Q frames the span of the series, being featured in both the debut and concluding two-hour episodes.
--James Bond movies sometimes have wild card characters, and sometimes they don’t. For the ones that did, the most memorable were: Pussy Galore (played by Honor Blackman) in
Goldfinger, Jaws (played by Richard Kiel) in
The Spy Who Loved Me and
Moonraker, and May Day (played by Grace Jones) in
A View to a Kill.
--The 1957 Oscar-winning masterpiece
The Bridge on the River Kwai featured a riveting performance by Alec Guinness as a captured British officer in a Japanese prison camp in Burma faced with the dilemma of trying to keep his men’s morale and sense of purpose alive under extreme duress. His ultimate act in the movie determines everything.
--In
Bonnie and Clyde, Michael J. Pollard’s character C.W. Moss works for the outlaw couple, serving both to lead them to fame as well as their destruction.
--In the fifties sci-fi thriller
The Day the Earth Stood Still (I haven’t seen the latest version), the giant alien robot Gort seems to be just about the most evil thing in the universe. And then you watch the rest of the movie and get “the rest of the story”.
I suppose I could go on endlessly on this subject. And you may think that other characters would have better fit the designation as the “wild card” than the ones I chose. But I do know that having these characters serves to enhance stories and build up the suspense, making them more memorable long after they have ended.