Retro-Music Again

From late 1990 until early 1995, I was deeply immersed in rediscovering famous musical acts by purchasing and listening to their albums, including "deep" tracks I had never heretofore heard. The triggering event for this occurred with the release of Led Zeppelin's first box set late in 1990, and a local radio station's (103.7/WRUF) playing of the entire set on the air. Sitting there listening to songs I had never heard, I realized what an incredibly talented and creative band this was. And for the next two years, I got to know every Zeppelin tune out there and became quite fanatical about their music.

I still listened to music on radio then, as it had not yet deteriorated in quality to the sad state that it's in today. But my focus was on Led Zeppelin and, later, other artists such as Rush, the Moody Blues, the Police, Yes, and REM. I call this period of time my "retro" period for my interest in past works. After 1995, although I would discover some old work from time to time, I returned to radio listening as my primary source of popular music.

Not that there weren't some times that the quality of music on the radio had dipped a lot. But in 2003, I discovered the genre of independent/alternative music, which was played on a local station (100.5 WHHZ "The Buzz"). And from then until the end of 2007, that music (and that station) was my primary focus for listening. But in 2008, WHHZ abandoned playing independent artists and copied the mainstream rock of 103.7/WRUF. That left me fumbling around the dial for ANYTHING that didn't sound like garbage (and there were some good songs out there, to be perfectly honest).

Earlier this year, I was listening to AOL Radio, on their Indie Rock Mix station. I heard a string of great songs which I had never heard before. One of them, Chicago by Sufjan Stevens, was actually from 2005. I then devised a method for investigating newly discovered musical acts. I went to YouTube and did a search on Sufjan Stevens. The result was a plethora of videos (mostly unofficial) of his music. As I listened through them, I was impressed to the same degree that I was eighteen years earlier with Led Zeppelin. So I began to personally amass his collected works, which comprise six albums (plus five Christmas albums) and put them on my MP3 for personal listening. At the same time, I went to LastFM.com and placed the name Sufjan Stevens in their search engine. The result? A radio station ("Sufjan Stevens Radio") that played artists similar to Stevens. In this way I discovered several other great artists, such as Andrew Bird, Iron and Wine, Beirut, Broken Social Scene, Metric, and Jose Gonzalez. I also became more interested in looking into the past works of alternative acts like Death Cab For Cutie, Beck, Arcade Fire, and the unfortunately-named New Pornographers.

So my musical interest is almost entirely concerned with the past works of this new generation of independent/alternative musical artists. The main differences between this "retro period" and the one in the early 1990s are that radio then was still listenable, radio now generally isn't, and (most of all) I have a great system on my computer, using AOL Radio, YouTube, and LastFM.com, to generate music suited precisely to my tastes.

I sometimes wonder to myself why my musical tastes have centered around the above artists. And I think I may have part of the answer. On my MP3 that has these artists on it, I also have selected Beatles songs that I like a lot (like Eleanor Rigby, Hello/Goodbye, and All You Need Is Love). When I am listening to this MP3 player (on "shuffle" mode), the Beatles songs fit in seamlessly with all of the rest! And thus my hypothesis, which follows.

In 1970, I was saddened by the breakup of the Beatles. Like many others, I searched the airwaves for similar-sounding replacements. Even the solo former Beatles all seemed to diverge from the band's former sound (especially Paul McCartney). And now I feel that the acts I have discovered have that same "something" that the Beatles had: the only difference is that these acts aren't being idolized on a mass scale as were the "Fab Four". Exception: Iron and Wine reminds me more of an acoustic Led Zeppelin than of the Beatles.

How long will this current "retro" period last? Well, that depends a lot on whether or not radio can present a better choice of programming formats. And whether or not at least one of those stations will play independent/alternative music.