Thursday, July 22, 2021

Just Finished Reading How Music Works by John Powell

John Powell is something of a Renaissance man, with his online bio showing him to be a scientist...in particular a physicist with a "focus" on lasers, an entrepreneur with his laser firm, a musical composer, and of course a writer.  The Englishman's 2010 book How Music Works gives an overview on many different levels about the nature of music, including the science of acoustics as they pertain to pitch and loudness and how different musical instruments accomplish their production of music and differ from one another.  I was surprised to read that musical notes did not actually become universally standardized until the mid-twentieth century.  He also delves into how people perceive pitch (including the notion of "perfect pitch"), and how a heard note's pitch is often simply a recognition of its base note even though higher-octave versions of it are present (and sometimes that base note isn't).  Although these things were all interesting, in my opinion the book took off when Powell began discussing the history of music, especially as it pertained to the development of different types.  Although we in the West are used to the Major and Minor scales, it is the five-note Pentatonic scale that has prevailed over much of the world, in very disparate and diverse cultures over the course of time.  And besides the Major and Minor scales there are others that in centuries past were more commonly used...even recently the Dorian scale was employed in songs like Scarborough Fair and Eleanor Rigby.  Most of all, the author stressed that in all music the composer and performer have as one of their main goals the aim of keeping the audience interested in what is going on...to that end much of the structure of songs (including key changes and note diversions) and classical music has evolved into more or less standardized forms: just to keep folks from zoning out.  Toward the end of the book he discussed the various pros and cons of learning to play different musical instruments: for beginners, guitar and piano are good and violin and trombone, the latter two without specific note settings, are much more difficult to start with.  Yet he also pointed out that violins can play only one note at a time while piano learning can get pretty complex, what with all the chords and the ability to simultaneously hit a number of keys...so down the line it all evens out.  And some composers...at least the good ones...will write their music for different instruments with the recognition that some keys are easier to play on them than others.  Powell went deeply into how music evokes different feelings, such as ascending notes, loudness, and the type of key.  Yet he also disputed the claim that one of the twelve keys within a Major or Minor system is essentially different in imparting emotion than another, a belief that even greats like Beethoven subscribed to.  I've only scratched the surface with this amazing book that does a great job of introducing someone like me to music: I've always loved listening to it, but in the production end of the art such as playing an instrument, singing or composing I've never truly engaged.  John Powell asserts that most of us can learn to play an instrument to basic competency level...it's those extra ten years + natural talent which exceptional musicians require that often intimidate the rest of us into never starting...

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